KNOW WHAT IS TO BE RIGHT

Each one of us have to learn, to respect our own culture...right from simple things to the most toughest thing....they were the governing principles for many years.Today I believe each one of u have at least one grandmother or grandpa who keep telling you about things...And we keep making fun of them...but the truth is...for many coming years from now you will know what has changed...And u will realize then....that what was heard jovial.. Played the main role in every aspect of your life..

DHARMO RAKSHATHI RAKSHITHA'HA

MAHAKALA

MAHAKALA :

Mahakala and mahakali are divided parts of shiva in a particular instant when lord shiva in his yogic form is a destroyer and brahma is the quite opposite a creater....

Mrutyu or mruthyu devatha once started crying because she thought everybody hates her as she is the reason for death and sorrow, and she went far off an unknown place ...then lord shiv finds her and consoles her stating that, she is the reason for a new birth and a new reason to live and reborn-ed to improve aspects of a spirit.

Stating that she is the mother of new born....under these circumstances shiv shows her getting split into two...MAHA KALI and MAHA KALA...MAHAKALA the lord of time...

Shiva tandava stotram

The Shiva tandava stotra was composed by Ravana, who was a great Shiva devotee.

Jatatavigalajjala pravahapavitasthale
Galeavalambya lambitam bhujangatungamalikam
Damad damad damaddama ninadavadamarvayam
Chakara chandtandavam tanotu nah shivah shivam .. 1

Jatakatahasambhrama bhramanilimpanirjhari
Vilolavichivalara ivirajamanamurdhani
Dhagadhagadhagajjva lalalatapattapavake
Kishorachandrashekhare ratih pratikshanam mama .. 2

Dharadharendrana ndinivilasabandhubandhura
Sphuradigantasantati pramodamanamanase
Krupakatakshadhorani nirudhadurdharapadi
Kvachidigambare manovinodametuvastuni .. 3

Jatabhujangapingala sphuratphanamaniprabha
Kadambakunkumadrava praliptadigvadhumukhe
Madandhasindhurasphura tvagutariyamedure
Mano vinodamadbhutam bibhartu bhutabhartari .. 4

Sahasralochanaprabhritya sheshalekhashekhara
Prasunadhulidhorani vidhusaranghripithabhuh
Bhujangarajamalaya nibaddhajatajutaka
Shriyai chiraya jayatam chakorabandhushekharah .. 5

Lalatachatvarajvala dhanajnjayasphulingabha
Nipitapajnchasayakam namannilimpanayakam
Sudhamayukhalekhaya virajamanashekharam
Mahakapalisampade shirojatalamastunah .. 6

Karalabhalapattika dhagad dhagad dhagajjvala
Ddhanajnjaya hutikruta prachandapajnchasayake
Dharadharendranandini kuchagrachitrapatraka
Prakalpanaikashilpini trilochane ratirmama .. 7

Navinameghamandali niruddhadurdharasphurat
Kuhunishithinitamah prabandhabaddhakandharah
Nilimpanirjharidharastanotu kruttisindhurah
Kalanidhanabandhurah shriyam jagaddhurandharah .. 8

Praphullanilapan kajaprapajnchakalimaprabha
Valambikanthakandali ruchiprabaddhakandharam
Smarachchidam purachchhidam bhavachchidam makhachchidam
Gajachchidandhakachidam tamamtakachchidam bhaje .. 9

Akharvagarvasarvamangala kalakadambamajnjari
Rasapravahamadhuri vijrumbhanamadhuvratam
Smarantakam purantakam bhavantakam makhantakam
Gajantakandhakantakam tamantakantakam bhaje .. 10

Jayatvadabhravibhrama bhramadbhujangamashvasa
Dvinirgamatkramasphurat karalabhalahavyavat
Dhimid dhimid dhimidhvanan mrudangatungamangala
Dhvanikramapravartita prachandatandavah shivah .. 11

Drushadvichitratalpayor bhujangamauktikasrajor
Garishtharatnaloshthayoh suhrudvipakshapakshayoh
Trushnaravindachakshushoh prajamahimahendrayoh
Samapravrutikahsamam pravartayanmanahkada sadashivam bhaje .. 12

Kada nilimpanirjharinikujnjakotare vasanh
Vimuktadurmatih sada shirah sthamajnjalim vahanh
Vimuktalolalochano lalamabhalalagnakah
Shiveti mantramuchcharan sada sukhi bhavamyaham .. 13

Idam hi nityamevamuktamuttamottamam stavam
Pathansmaranbruvannaro vishuddhimetisantatam
Hare gurau subhaktimashu yati nanyatha gatim
Vimohanam hi dehinam sushankarasya chintanam .. 14

Phalastuti

Pujavasanasamaye dashavaktragitam
Yah shambhupujanaparam pathati pradoshhe
Tasya sthiram rathagajendraturangayuktam
Lakshmim sadaiva sumukhim pradadati shambhuh .. 15

HIGHLIGHTS OF THE 6000 YEARS OLD HISTORY OF THE TARA TARINI HILL SHRINE (KALYANI DHAM)
According to the Mythological Puranas the origin of Maa Taratarini is directly attributed to Daksha Prajapati’s Jagna in Satya Yuga. The famous Shakta Peethas of Bimala, Tara-Tarini, Dakshina Kalika, and Kamakshi originated from the limbs of the divine Corpse of Devi Sati. Mythological sacred texts like the Shiva Purana, the Kalika Purana, the Devi Bhagabat (a contemporary text of the Mahabharata written by Shri Vyasa Dev around 6000 years ago) attest this fact.
It is known from the Mahabharata that before the commencement of the Mahabharata war Lord Srikrishna had advised Arjuna to offer prayer for victory at Shridevi kupa or Bhadrakali. Bhadrakali originated from the limbs of Sati like the other four major Shakti Peethas, which existed during the time of the Mahabharata or around 6000 years ago. This is the oldest data/information we get till date, regarding the existence of the Shrines originated from the limbs of the divine Corpse of Devi Sati.
According to available historical sources the fall of Kalingan Empire and its capital Sampa (Samapa) in the Kalinga war around 2300 years ago by Mauryan Emperor Ashoka, strengthened the grip of Buddhists in this part of India. The then Sampa was hardly 7 kms away from Taratarini Hill Shrine. So, some scholars believe that Taratarini might be the principal deity (Ista-Devi) of the mighty Kalinga Empire.
According to the texts of Mahayana Buddhists, in the initial days, the Buddhists didn’t believe in the worship of Goddesses or in Pratimapuja (Idol Worship). But, the ecclesiastical texts of Mahayana’s reveal that from 1st century AD after the fall of Kalinga, for the first time the Mahayana Buddhists accepted the worship of Mother Goddess ‘Tara’. So there is seldom any doubt that the Buddhists have learned the ‘Tara’ Puja concept from this Shrine. The Bouddha Tantrik texts, texts of Vajrajani sect and Hindu Tantrik texts also attest these facts. Scholars believe that in the primary days the Buddhists worshiped Taratarini, the principal seat of Tantrik sect in Hinduism at that time, as Bouddha Tara, and later on included ‘Tara’ as the Tantrik deity or spouse of bodhisattva Avalokiteshvara in their belief system. Gradually this ‘Tara’ worship spread to different parts of the world.
Besides the worship of Tara by the Buddhist Tantrikas, the 'Maritime History' of Kalinga also suggest the worship of Tara by the Sadhavas, merchants and sea-men before launching their sea voyage from the great sea ports like Dantapura (Gopalpur), Pallur near Chilika Lake, kalingapatna and river Rushikulya . It is important to mention, that all these major Sea ports of the ancient world were present very near to the Taratarini hill Shrine.

According to folk lore and folk stories, it is around 8th Century AD when Jagadguru Sankaracharya toured the whole country, that he discovered this Shrine. But, it did not exist in its present form. After long try he came to know that this ancient Shakti centre was under the control of Buddhist tantrikas. Then he released this Peetha from the control of Bouddha tantrikas and handed it over to Hindus.
It is known from the available sources that till 17th century this place was out of the sight of the common man. But, according to a folk story once Maa Taratarini appeared as two sisters in the house of Shri Basu Praharaj. He was a learned Brahmin of Kharida Vira Jagannathpur village in Ganjam District and one of the great devotees of the Mother Goddess but child less. After staying for some years one day both the sisters disappeared suddenly from the house of Basu Praharaj and according to the account of the villagers both the sisters traveled up to the Tarini Parvat/ Ratnagiri and disappeared there.
Basu Praharaj searched these two sisters but did not find their tracings. His heart broke down with grief and pain. On that night he saw a dream where the Goddesses Tara and Tarini informed Basu Praharaj that actually they were not his daughters; but they are the Adi Shakti, Goddesses Tara and Tarini. The Goddesses ordered Basu to come out of the grief and said that the time has arrived and with full devotion renovate the temple on the Hill Top of Tarini Parvat and establish the deities according to the Vedic tradition.
After that divine direction Basu discovered the tracings of ancient most presence of Goddesses Tara -Tarini on the sacred Hill Top and immediately took steps to reconstruct the temple and the Shrine.
Since that time for its magnetism and sanctity this Sthana Peetha (Breast Shrine) of Mata Sati, became a centre of faith and reverence for countless numbers of people, out in search of peace, tranquility, guidance and spiritual energy and its fame spread like wild fire to become one of the popular religious destinations for millions of devotees.